Cattle Country

Date 1982
Technique Woodcut
Price $700.00
Exhibitor The Annex Galleries
Contact the Exhibitor 707.546.7352
artannex@aol.com
Buy From / See At This Exhibitor's Site

Cattle Country is a color reduction woodcut created in 1982 by American artist Gordon Mortensen. It is pencil signed, titled, dated, and editioned 13/130. It was printed by the artist in 30 colors with 25 press runs on ivory Torinoko wove paper and the image measures 22 x 30 inches.

Cattle County provides a sweeping view of rugged terrain encountered by the artist in North Dakota. North Dakota’s highest mountain is White Butte, whose peak is 3,506 feet above sea level, and its lowest elevation is 750 feet above sea level at the Red River. North Dakota landforms include the Red River valley in the east, a Central Plateau, and the rugged, hilly badlands in the west. The North Dakota rangeland provide habitat for many native plants and animals, and today play a major role in the state’s livestock industry. The majority of present-day North Dakota rangeland lies in the western two-thirds of the state, with remnant populations found in the southeastern and northeastern regions. These lands provide forage for beef cattle, dairy cattle, sheep, goats, horses and other types of domestic livestock.

Originally a portrait painter, Mortensen abandoned that media for reduction woodcutting, achieving the creative freedom he desired. He is one of a few practitioners of this method in the United States. He commented on his reduction process: "Only one woodblock is used. On it an image is drawn in India ink. Before the first color is printed, any areas that are to remain unprinted (white or the color of the paper) are cut away from the surface of the block. Then an oil base ink is used to print the first color on all of the sheets of paper that are to be used for the edition and proofs. After the first printing the block is again cut, removing any surface of the block that is to remain of the first color in the finished print. After each subsequent color is printed, the block is cut again, the process continues until the print is finished, and most of surface of the block is cut away."

Gordon Louis Mortensen was born near Arnegard, North Dakota in 1938. He received his B.F.A. with Honors in 1964 from the Minneapolis School of Art and he was enrolled in graduate studies at the University of Minnesota in St. Paul between 1969 and 1972. He is a member of the Boston Printmakers and has produced membership prints for the Albany Print Club and the Print Club of Rochester. 

Gordon Mortensen holds an impressive record of solo exhibitions and has been included in numerous competitions and exhibitions. He is represented in the collections of the Brooklyn Museum, the Carnegie Institute, the Art Institute of Chicago, the Philadelphia Museum of Art, the Portland Art Museum, the Fine Arts Museums of San Francisco, the Smithsonian Museum of American Art, the Walker Art Center, and the Worcester Art Museum.