Color woodcut, circa 1911. Barton 2. 8 3/4 x 6 3/8 inches. Signed in pencil.
While the exact date of this scarce print is unknown, it is described (as “engaging”) in an article by Malcolm Salaman in the June 1913 issue of the International Studio. It is also mentioned in his 1919 book Modern Woodcuts and Lithographs as one of her prints of “notable charm”. Other impressions are in the British Museum, the Victoria and Albert Museum and the National Gallery of Canada.
