NY Flatiron [New York]
1983/1993. Silver gelatin photograph, titled, signed (twice) and dated in ink verso, 60.4 x 49.5cm. Creases, crinkles.
Similar image illustrated in Burrows, Lewis Morley: contemporary photographers Australia, 1998, p80. Ref Item #CL195-131
Price (AUD): $2,950.00
Morley was born in Hong Kong to English and Chinese parents
and interned in Stanley Internment Camp during the Japanese occupation of Hong
Kong between 1941 and 1945, when he was released and emigrated to the United
Kingdom with his family. He studied at Twickenham Art School for three years,
and spent time as a painter in Paris in the 1950s.
Perhaps best known for his photographs of Christine Keeler
and Joe Orton, Morley began his career with assignments for magazines such as
Tatler. He was also a successful theatre photographer for over 100 West End
productions. His publicity photographs for the Beyond The Fringe revue (1961)
included a study of the cast Peter Cook, Dudley Moore, Alan Bennett and
Jonathan Miller which was used for the best selling LP Cover of the show.
Morley emigrated to Australia in 1971 with his wife Patricia
and son Lewis, where he lived in the inner west of Sydney. He did studio and
commercial work photographing architecture and food in magazines such as Belle,
and worked with interior designers and stylists such as Babette Hayes, and
Charmaine Solomon until his retirement in 1987. In 1989 he collaborated with
photographs curator Terence Pepper in staging his first museum retrospective at
London's National Portrait Gallery and subsequently donated all the images
printed for the exhibition as part of a larger archive of his work. His first
autobiography Black and White Lies was published in 1992.
In the mid 1990s, Morley ventured into the gallery business
when he opened The Lewis Morley Photographers Showcase. Embracing the great
tradition of photographic salons, the gallery presented the work of a variety
of local photographers from a range of genres. In 1999, Lewis Morley appeared
in the Contemporary Australian Photographers series. It was followed in 2003
with the release of a film about his life and an exhibition Myself and Eye at
the National Portrait Gallery in Canberra.
In 2006, an extensive exhibition showcasing 50 years of Lewis Morley work was displayed at the Art Gallery of New South Wales. Titled Lewis Morley: 50 Years of Photography, the exhibition included 150 of his works covering fashion, theatre, and reportage, many of which had never been seen before.