Mendocino Watertower is a color block print, a combination of linoleum and woodcut, created circa 1968 by American artist Emmy Lou Packard. It is pencil signed and titled by the artist and was printed by the artist on ivory laid Japanese hosho. The image measures 36-11/16 x 11-3/16 inches. The exhibition catalog, Emmy Lou Packard: 1914-1998, published by the John Natsoulas Press in 1998 illustrates a variant impression on page 38.
Packard was noted for returning to an image and reworking it. Sometimes she made the image smaller than her original and sometimes she reworked the image in an entirely different medium, e.g. screenprint. With Mendocino Watertower, it appears that Packard first printed a linoleum block and overprinted it in black from a wood block. The black added the texture and movement to the clouds which sweep across the water tower, it created the dark openings, and outlined the wooden boards of the tower. It is rare to find an editioned work by Packard as making it precious by limiting the number of impressions was basically against her beliefs.
Emmy Lou Packard, painter, muralist, printmaker, photographer, sculptor, teacher, and social activist, was born on 4 April 1914 in El Centro, in the Imperial Valley of California. Her father was an internationally known agronomist and her parents helped to establish the agricultural cooperative community in which they lived. Her great-grandmother fought to obtain due process of law for woman. Emmy Lou’s courageous voice earned her international recognition as an artist and activist for peace.
Packard studied with Diego Rivera and Frida Kahlo in Mexico from 1927-1928. From 1932 to 1936, she studied at the University of California Berkeley, earning her B.A. While a student a Berkeley she was art editor of the Daily Californian, the student newspaper, and of the Occident, the campus literary magazine. She continued her studies at the California School of Fine Arts, San Francisco, where she completed courses in fresco and sculpture. In 1940 she assisted Rivera with the 1,650 square foot fresco at the Golden Gate International Exposition at Treasure Island in San Francisco, and returned with him to Mexico City, where she was a guest of he and Frida Kahlo.
During World War II, Packard worked as an engineering drafter in defense industries, most notably in the Kaiser shipyards. During the late 1940s, she experimented with plastics in light sculptures, illustrated third-grade textbooks for the San Francisco public schools, organized the San Francisco Arts Festival, and was a co-founder of Artists Equity. In 1959, she created an eighty-five-foot-long bas-relief mural in cast concrete for the University of California Berkeley and it still hangs on the Cesar Chavez Student Center at Lower Sproul Plaza.
In both her art and writing, Packard championed the rights of women and children, and steadfastly supported the leadership of Cesar Chavez and the United Farmworkers. Her artistic studies of the Mendocino Headlands inspired her to become a key promoter in the establishment of the headlands as a national park.
She was included in numerous group exhibitions in Los Angeles and San Francisco and a solo exhibition of her paintings was mounted at the San Francisco Museum of Art (now the San Francisco Museum of Modern Art). Emmy Lou Packard’s work is represented in the collections of the Addison Gallery of American Art, Andover, Massachusetts; the British Museum, London; the Oakland Museum of California; the Fine Arts Museums of San Francisco, California; the Krannert Art Museum of the University of Illinois Urbana-Champaign; and the National Gallery of Art, Washington, D.C.
Emmy Lou Packard died on 22 February 1998 in San Francisco, California.
